Not
my account this time, but a friend Bernie who helped to organised the
Manchester Carnival has just sent in some memories:
'I
seem to have a different memory of Lewisham than other people. In terms
of music and racism it was one of the most significant events of the
whole period in that the NME gave it a 2 page centre spread in a piece
written by Tony Parsons and Julie Birchill. That was the first
significant piece in any music paper regarding anything political. Look
back in the archives and see what the NME or Melody maker wrote about
Woodstock. From that point onwards, it was cool to link music /
anti-racism / politics and Parsons and Burchill kept it up until late
1978.
The
day started outside the Central Library in Manchester whilst we were
waiting for our coaches. John someone (SWP militant activist)
turned up with four sackloads of chairlegs. He handed these out and then
got us to go to the Grand Hotel where the NF were meeting their coaches.
We smashed them to smithereens and ruined their day.
When
we got to Lewisham the SWP were incredibly well organised. The London
comrades had selected a bombsite full of half bricks as the place to
attack the Nazis.
The
march came, the flag bearers passed by, the honour guard passed by,
Tyndall and Webster passed by and then the rest of the scum came. The
SWP had organised a group of big lads into a wedge formation, copying
the police's own tactic. The wedge split the march apart and then we
rained the rest of them with the half bricks.
The
police attacked us all the day and I remember in particular sheltering
with an old lady in a shop doorway. A copper took one look at us and
then smashed the glass above our heads.
I
think we all thought that we had scored an important victory that day.
How
did RAR affect the ANL?
Well,
the ANL was a group of boring Broad-Left do-gooders who couldn't ignite
any interest from anyone at all. All the movement had when it started
was a few adverts in the Guardian sponsored by Ernie Roberts et al.
The
ANL had a benefit concert in the Lesser Free Trade Hall (actually the
same venue as the first punk gig in Manchester featuring the Pistols / Buzzcocks) and the line-up was all very folky. Ewan McColl was
there bringing his young kids (incl Kirsty) to sing "We shall
overcome" etc. Hardly going to ignite the loins of the youth of the
day.
The
first carnival in London brought together the ANL with RAR and gave the
ANL instant credibility.
The
credit for this has to go to the SWP, who were the organisational force
behind both organisations (even though we all denied it at the time) and
the carnivals would just not have happened without the resources and
organisational skills of the SWP.
Post-carnival
the ANL were the coolest thing in school and I think we saw a massive
sea change in the thinking of the general public. My 10 year-old boy is
fervently anti-racist without any influence from me at all - it's just
the way it is now - and I think that the ANL/RAR had a massive influence
on that going back to the late 70's.
If
you read Billy Bragg's autobiography, it is shocking to discover how
politically naive Billy actually is. Well, if that's Billy Bragg, what
could we have hoped for from the likes of Mark Smith, Mick Hucknall,
Tony James and Joe Strummer?
The
bands, whilst not racist, didn't give too much of a monkey's about
anti-racism. Most of them were just glad to get a gig. In Manchester,
the most politically aware bloke that I knew was Mick Hucknall who is
now a Blair crony, but even he was someone who voted Labour because his
dad always did.
Hope
this helps your future discussions.'